Departamento de Conservação e Restauro

Publicações 2012-2017

ARTIGOS EM REVISTAS DE CIRCULAÇÃO INTERNACIONAL COM ARBITRAGEM CIENTÍFICA – WEB OF SCIENCE

 

Publicações 2017

Coutinho, I.*, Medici, T., Wiley, R., Alves, L. C., Gratuze, B., & Vilarigues, M. (2017). “The gourd-shaped vessel: a Portuguese product?”, Journal of Glass Studies, 59, 215-234. ISSN: 0075-4250. 

Coutinho, I.*, Medici, T., Alves, L. C., & Perović, Š. (2017). “Colourless Roman glass from the Zadar necropolis: An exploratory approach”, Journal of Archaeological Science: Reports, 15, 194–202. https://doi.org/10.1016/j.jasrep.2017.07.025

Coutinho, I.*, Medici, T., Alves, L. C., Gratuze, B., & Vilarigues, M. (2017). “Provenance studies of 18th century potassium-rich archaeological glass from Portugal”, Journal of Archaeological Science: Reports, 13, 185–198. https://doi.org/10.1016/j.jasrep.2017.03.050

Coutinho, I.*, Gratuze, B., Medici, T., Alves, L. C., & Vilarigues, M. (2017). “Wine bottles from Lisbon: archaeometric studies of two archaeological sites dated from the 17th to the 19th century”, Archaeometry. https://doi.org/10.1111/arcm.12283

J. M. Delgado, D. Nunes, E. Fortunato, C.A.T. Laia, L. Branco, M. Vilarigues*, “The effect of three luminescent ionic liquids on the glass surface – first step to stained glass cleaning”, Corrosion Science. http://dx.doi.org/10.1016/j.corsci.2017.01.027

C. Fornacelli, A. Ceglia, S. Bracci, M. Vilarigues, “The role of different network modifying cations on the speciation of the Co2+ complex in silicates and implication on the investigation of historical glasses”, Spectrochimica Acta Part A. https://doi.org/10.1016/j.saa.2017.07.031

Guerra M., Carvalho M.-L., Le Gac A., Mortari C., Manso M. and Pessanha S. (2016), New insights into the red and green pigments in the illuminated foral charter of Setúbal (1515) by combined use of µ-Raman and X-ray fluorescence spectrometry, Journal of Applied Physics, 119 / 10 (2016), 104902-104907 (submitted 10 February 2016, revised with minor corrections 28 February 2016, accepted and online manuscript 11 March 2016) - DOI: 10.1063/1.4943617

Pedro M. Lourenço, Catarina Serra-Gonçalves, Joana Lia Ferreira, Teresa Catry, Jose P. Granadeiro, Plastic and other microfibers in sediments, macroinvertebrates and shorebirds from three intertidal wetlands of southern Europe and west Africa, Enviornamental Pollution 2017;231:123-133.

A. Machado, S. Wolf, M.L. Coutinho, L.C. Alves, I. Katona-Serneels, V. Serneels, S.Trümpler, M. Vilarigues*, “Swiss stained-glass panels – an analytical study”, Microscopy and Microanalysis. http://dx.doi.org/10.1017/S1431927617000629

Nicolas Christian Ory, Paula Sobral, Joana Lia Ferreira, Martin Thiel. Amberstripe scad Decapterus muroadsi (Carangidae) fish ingest blue microplastics resembling their copepod prey along the coast of Rapa Nui (Easter Island) in the South Pacific subtropical gyre. Science of the Total Environment 2017;586(15):430-437.

Pombo Cardoso, I., Pye, E., 2017 Preparing the foundation for stable gilding: Baroque craftsmen’s empirical understanding of gesso gilding grounds. Journal of Archaeological Science, 79, 96-106. http://dx.doi.org/10.1016/j.jas.2017.01.015

Pombo Cardoso, I., Pye, E., 2017 Preparing the foundation for stable gilding: scientific evaluation of the durability of Baroque gesso gilding grounds, Journal of Archaeological Science, 79, 86-95, http://dx.doi.org/10.1016/j.jas.2017.01.014

Susana França de Sá, Joana Lia Ferreira*, Isabel Pombo Cardoso, Rita Macedo, Ana Maria Ramos, Shedding new light on PUR deterioration, Polymer Degradation and Stability 2017;144:354-365

D. Sanches, A. M. Ramos, J. F.J. Coelho, C. S.M.F. Costa, M. Vilarigues*, M. J. Melo, “Correlating thermophysical properties with the molecular composition of 19th century chrome yellow oil paints”, Polymer Degradation and Stability. http://dx.doi.org/10.1016/j.polymdegradstab.2017.02.010

 

Publicações 2016

C. Barreira, M. J. Melo, R. Araújo and C. Casanova, “Through the eyes of Science and Art: a fourteenth-century winter Breviary from Alcobaça scriptorium”, Journal of Medieval Iberian Studies, (2016) 252-282; http://dx.doi.org/10.1080/17546559.2016.1221119.

Coutinho, I., Coentro, S., Medici, T., Alves, L. C., & Vilarigues, M.* (2016). First archaeometric study on medieval glass found in Beja (Southern Portugal). Journal of Medieval Iberian Studies, 8 (2), 148–175. https://doi.org/dx.doi.org/10.1080/17546559.2016.1205752.

Coutinho, I., Berger, F., Rodrigues, A., Coutinho, M. L., Machado, A., Alves, L. C., & Vilarigues, M.* (2016). Fensterbierscheiben in the Pena National Palace collection - chemical and iconographic relations. X-Ray Spectrometry, 45, 308–317. https://doi.org/10.1002/xrs.2706

Coutinho, I.*, Medici, T., Alves, L. C., Gratuze, B., & Vilarigues, M. (2016). Provenance studies on façon-de-Venise glass excavated in Portugal. Journal of Archaeological Science: Reports: Reports, 7, 437–448. https://doi.org/10.1016/j.jasrep.2016.03.019

Coutinho, I., Medici, T., Silva, R. J. C., Gratuze, B., Catarino, H., & Lima, A.* (2016). Gilding on glass: New evidence from a 17th century flask found in Portugal. Journal of Archaeological Science: Reports, 6, 293–301. https://doi.org/10.1016/j.jasrep.2016.02.010

A. Machado, M. Vilarigues*, “Cobalt blue - Reproduction and characterization of blue enamel recipes from The Handmaid to the Arts by Robert Dossie”,Glass Technol.: Eur. J. Glass Sci. Technol. A, 57 (4), pp. 131–140 (2016). http://dx.doi.org/10.13036/17533546.57.4.027

Maria João Melo, Paula Nabais, Maria Guimarães, Rita Araújo, Rita Castro, Maria Conceição Oliveira and Isabella Whitworth, "Organic dyes in illuminated manuscripts: an unique cultural and historic record", Phil. Trans. R. Soc. A., 374 (2016) 20160050:1-20;  theme issue "Raman Spectroscopy at the Arts/Science Interface: Applications in Art and Archaeological Analysis, (2016) 20160050

Maria J. Melo, Rita Araújo, Rita Castro and Conceição Casanova, "Colour degradation in medieval manuscripts", Microchemical Journal (TECHNART 2015 Virtual Special Issue), 124 (2016) 837-844.

A. Miguélez Cavero, M. A. Miranda, M. J. Melo, R. Castro and C. Casanova, “Beatus manuscripts under the microscope: the Alcobaça Beatus and the Iberian Cistercian tradition revisited”, Journal of Medieval Iberian Studies, (2016) 217-251.

C. Montagner, R. Jesus, N. Correia, M. Vilarigues, R. Macedo, MJ Melo,“Features combination for art authentication studies: brushstroke and materials analysis of Amadeo de Souza-Cardoso”,  Multimedia Tools and Applications pp 1-25 (2016). http://dx.doi.org/10.1007/s11042-015-3197-x

C. Montagner, João M. M. Linhares, M. Vilarigues, Sérgio M. C. Nascimento,"Statistics of colors in paintings and natural scenes",  J. Opt. Soc. Am. A 33, A170-A177 (2016). http://dx.doi.org/10.1364/JOSAA.33.00A170

Nogueira, A., Macedo, R. & Pires, I; (2016) Where contemporary art and contemporary music preservation practices meet: The case of Salt Itinerary. In : Studies In Conservation. 61, 2, p. 153-159.

V. Otero, J. V. Pinto, L. Carlyle, M. Vilarigues, M. Cotte, M. J. Melo,.“19th century Chrome Yellow and Chrome Deep from Winsor & Newton”, Studies in Conservation. Published online: 07 April 2016. http://dx.doi.org/10.1080/00393630.2015.1131478

Paula Nabais, Maria João Melo, Rita Castro, Luis Sousa, Graça Videira Lopes, "Singing with light: an interdisciplinary study on the medieval Ajuda Songbook", Journal of Medieval Iberian Studies, (2016) 283-312; http://dx.doi.org/10.1080/17546559.2016.1234061

Pombo Cardoso, I., Pye, E., 2016  Gessoes in Portuguese Baroque gilding grounds. Part 2: analytical study of historical samples and archaeological reconstructions. Studies in Conservation, DOI 10.1080/00393630.2016.1266430.

Pombo Cardoso, I. ; Pye, E.,  2016 Gessoes in Portuguese Baroque gilding grounds. Part 1: a study of historical documentary sources, Studies in Conservation, DOI:10.1080/00393630.2015.1130774.

Pulido Valente, F., Coutinho, I.*, Medici, T., Brain, C., & Vilarigues, M. (2016). A Group of Early English Lead Crystal Glass Goblets Found in Lisbon. Journal of Glass Studies, 58, 211–225. ISSN: 0075-4250. 

Susana França de Sá, Joana Lia Ferreira*, Ana Sofia Matos, Rita Macedo, Ana Maria Ramos. A new insight into polyurethane foams deterioration – the use of Raman microscopy for the evaluation of long-term storage conditions. Journal of Raman Spectroscopy 2016;47(12):1494-1504.

Tatiana Vitorino, Maria João Melo, Leslie Carlyle and Vanessa Otero, "New insights into brazilwood lake pigments manufacture through the use of historically accurate reconstructions", Stud. Conservat., 61 (2016) 255-273.

 

Publicações 2015

Araújo, R.; Casanova, C.*; Melo, M.J.; Lemos, A., “Ethical and technical concerns during the conservation process of a religious book: The book of hours from the Library of Palácio Nacional de Mafra”, European Journal of Science and Theology, vol.11,  2 (Ap. 2015) 129-140.

R. Araújo, C. Casanova, M. J. Melo, A. Lemos, "Ethical and technical concerns during the conservation process of a religious book: the book of hours from the library of Palácio Nacional de Mafra", Eur. J. Sci. Theol.,  11 (2015), 129-140

J. M. Delgado, A. Raymundo, M. Vilarigues, L. C. Branco, C. A. T. Laia, "Characterization of a Novel Intrinsic Luminescent Room-Temperature Ionic Liquid Based on [P6,6,6,14][ANS]",Chem. Eur. J., 21, 726 – 732 (2015). http://dx.doi.org/10.1002/chem.201402534 

Le Gac A., Madeira T. I., Stanojev Pereira M., Santos J., Piorro L., Dias L., Manso M., Bleton J., Longelin S., Prazeres C. M., Mirão J., Candeias A., Gonçalves Marques J. and Carvalho M.L. (2015), Challenging wax-cast figurines serial production unravelled by multi-analytical techniques, Journal of Analytical Atomic Spectrometry, 30 (2015), 790-812 – DOI: 10.1039/C4JA00415A

Le Gac A., Nogueira I., Guerra M., Frade J.C., Longelin S., Manso M., Pessanha S., Seruya A.I. and Carvalho M.L. (2015), Microscopy and X-Ray Spectroscopy Analyses for assessment gilding and silvering techniques of Portuguese illuminated manuscripts, Microscopy and Microanalysis, 21(1 - February 2015), 20-55 – DOI: http://dx.doi.org/10.1017/S1431927614013646

Le Gac A., Nogueira I. and Seruya A.I. (2015), The 1685 blue smalt coating of the Coimbra Old Cathedral main altarpiece under scrutiny, Microscopy and Microanalysis, 21, S6 (Agosto 2015), 158-159 – DOI: http://dx.doi.org/10.1017/S1431927614014494

Manso M., Cardeira A.M., Rosado T., Silva M., Le Gac A., Pessanha S., Guerra M., Domingos S., Caldeira A.T., Candeias A. and Carvalho M.L. (2015), The mysterious halos in iron gall ink manuscripts: an analytical explanation, Applied Physics A: Materials Science & Processing, 118 (3), 1107-1111 – DOI: 10.1007/s00339-014-8924-z 

Diogo Neves, Paula Sobral, Joana Lia Ferreira, Tânia Pereira. Ingestion of microplastics by commercial fish off the Portuguese coast. Marine Pollution Bulletin 2015;101(1):119-26.

Pereira M.F.C., Maurício A.M., Sandu I.C.A., Murta E., Le Gac A., Veiga R., Paba F., Busani T. and Sandu I. (2015), Complementary imaging and characterization methodology of polychrome composites in gilded woodcarving using Micro-CT, SEM-EDX and OM, Microscopy and Microanalysis, 21, S6 (Agosto 2015), 148-149 – DOI: http://dx.doi.org/10.1017/S1431927614014445

T. Vitorino, A. Casini, C. Cucci, M.J. Melo, M. Picollo, L. Stefani, "Non-invasive identification of traditional red lake pigments in 14th-16th centuries paintings through the use of hyperspectral imaging technique", Appl.Phys. A, 121 (2015) 891–901.

 

Publicações 2014

Rita Castro, Federica Pozzi, Marco Leona and Maria João Melo, "Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations", J. Raman Spectrosc., 45 (2014) 1172-1179. DOI: 10.1002/jrs.4608

N. Correia, T. Romão, A. Ricardo, T. Mota, M.J. Melo, R. Castro, R. Carvalho and A. Miranda, "Design of an Interactive Experience with Medieval Illuminations: A Journey into the Beauty and Meaning of Medieval Portuguese Manuscripts", ACM Journal on Computing and Cultural Heritage, 7 (2014) 13:1-13:19

Sílvia Mas, Catarina Miguel, Maria João Melo, João A. Lopes, Anna de Juan, "Screening and quantification of proteinaceous binders in medieval paints based on μ-Fourier transform infrared spectroscopy and multivariate curve resolution alternating least squares", Chemometr. Intell. Lab., 134 (2014) 148-157.

Maria João Melo, Vanessa Otero, Tatiana Vitorino, Rita Araújo, Vânia S. F. Muralha, Ana Lemos and Marcello Picollo, “Three Books of Hours from the 15th century: a multi-analytical and interdisciplinary approach", App Spec., 68 (2014) 434-444.

C. Miguel, J. V. Pinto, M. Clarke, M. J. Melo, " The alchemy of red mercury sulphide: the production of vermilion for medieval art", Dyes and Pigments, 102 (2014) 210-217. DOI: 10.1016/j.dyepig.2013.10.041

V. Otero, D. Sanches, C. Montagner, M. Vilarigues, L. Carlyle, J.A. Lopes, M.J. Melo, "Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art", Journal of Raman Spectroscopy, 45, 1197–1206 (2014). http://dx.doi.org/10.1002/jrs.4520 

Pessanha S., Madeira T.I., Manso M., Guerra M., Le Gac A. and. Carvalho M.L (2014), Comparison of gold leaf thickness in Namban folding screens using X-Ray Fluorescence, Applied Physics A, 116 (3), 1053-1058 – DOI: 10.1007/s00339-014-8531-z. 

Pessanha S., Guerra M., Le Gac A., Longelin S., Manso M. and. Carvalho M.L (2014), Determination of gold leaf thickness in a Renaissance illumination using a non-destructive approach, X-Ray Spectrometry, 43 (2), 79-82 – DOI: 10.1002/xrs.2518.

A. Rodrigues, Sara Gutierrez-Patricio, A. Z. Miller, C. Saiz-Jimenez, R. Wiley, D. Nunes, M. Vilarigues, M. F. Macedo,"Fungal Biodeterioration of Stained Glass Windows",  International Biodeterioration and Biodegradation, 90, 152-160 (2014).  http://dx.doi.org/10.1016/j.ibiod.2014.03.007

Sully, D.; Cardoso, I. P.,  2014 Painting Hinemihi by Numbers: People-Based Conservation and the Paint Analysis of Hinemihi’s Carvings, Studies in Conservation, vol. 59, n.3, pp.180-193.

 

Publicações 2013

Cardeira A.M., Longelin S., Le Gac A., Nogueira I., Carvalho M.L. and Manso M. (2013), Spectroscopic characterization of a contemporary Indian miniature painting, Applied Spectroscopy, 67, issue 12, 1376-1381 – DOI: 10.1366/13-07147.

Joana Lia Ferreira, María Jesús Ávila, Maria João Melo, Ana Maria Ramos. Early aqueous dispersions paints: Portuguese artist’s use of poly(vinyl acetate) 1960s-1990s. Studies in Conservation 2013;58:211-225.

Le Gac A., Pessanha S., Longelin S., Guerra M., Frade J.C., Lourenço F., Serrano M.C., Manso M. and Carvalho M.L. (2013), New development on materials and techniques used in the heraldic designs of illuminated Manueline foral charters by multi-analytical methods, Applied Radiation and Isotopes, 82, 242-247 – DOI: 10.1016/j.apradiso.2013.07.

Cristina Montagner, Diogo Sanches, Joana Pedroso, Maria João Melo and Márcia Vilarigues, "Ochres and earths: matrix and chromophores characterization of  19th and 20th century artist materials, Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 103 (2013) 409–416. DOI: 10.1016/j.saa.2012.10.064

Pessanha S., Le Gac A., Madeira T.I. and Carvalho M.L. (2013), Elemental analysis by portable polarized Ag and Rh X-ray sources of a Namban type folding screen, Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms, Special Issue: Channelling 2012, 309, 254-259 – DOI: 10.1016/j.nimb.2013.01.078.

Pessanha S., Le Gac A., Madeira T.I., Guilherme A., Manso M. and Carvalho M.L. (2013), Characterization of a Namban folding screen from the Edo period by means of EDXRF, SEM-EDS and Raman Spectroscopy, X-Ray Spectrometry, 42, 3, 128-133 – DOI: 10.1002/xrs.2443.

Raquel Rondão, J. Seixas de Melo, Maria J. Melo, Tatiana Vitorino, A. Jorge  Parola, " Brazilwood Reds: The (Photo)chemistry  of Brazilin and Brazilein", J. Phys. Chem. A., 117 (2013) 10650-10660

 

Publicações 2012

S. A. Filonovich, H. Águas, T. Busani, A. Vicente, A. Araújo, D. Gaspar, M. Vilarigues, J. Leitão, E. Fortunato and R. Martins, "Hydrogen plasma treatment of very thin p-type nanocrystalline Si films grown by RF-PECVD in the presence of B(CH3)3", Sci. Technol. Adv. Mater. 13, 045004 (8pp) (2012). http://dx.doi.org/10.1088/1468-6996/13/4/045004

Le Gac A., Estrompa R., Frade J.C., Pessanha S., Madeira T.I., Cardoso A., Piorro L., Dias L., Mirão J., Candeias A. and Carvalho M.L. (2012), Multianalytical approach for the authenticity of an eighteenth-century Pascal Taskin harpsichord, Journal of Analytical Atomic Spectrometry, 27, 626-643 – DOI: 10.1039/c2ja10226a.

Manso M., Le Gac A., Longelin S., Pessanha S., Frade J.C., Guerra M., Candeias A. and Carvalho M.L. (2012), Spectroscopic characterization of a masterpiece: the Manueline foral charter of Sintra, Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 105, 288-296 – DOI: 10.1016/j.saa.2012.11.110.

Catarina Miguel, João A. Lopes, Mark Clarke and Maria João Melo, "Combining infrared spectroscopy with chemometric analysis for the characterization of proteinaceous binders in medieval paints", Chemometr. Intell. Lab., 119 (2012) 32-38

Vânia S. F. Muralha, Catarina Miguel and Maria João Melo, "Micro-Raman study of Medieval Cistercian 12-13th century manuscripts: Santa Maria de Alcobaça, Portugal", J. Raman Spectrosc., 43 (2012) 1737-1746. DOI 10.1002/jrs.4065

Vanessa Otero, Leslie Carlyle, Márcia Vilarigues and Maria J. Melo, “Chrome yellow in nineteenth century art: historic reconstructions of an artists' pigment", RSC Adv., 2 (2012) 1798 - 1805; DOI: 10.1039/c1ra00614b

Pessanha S., Le Gac A., Madeira T.I., Bruneel J.L., Longelin S. and Carvalho M.L. (2012), Evaluation of the intervention of a folding screen belonging to the Momoyama period by Raman spectroscopy using different wavelengths, Journal of Raman Spectroscopy, 43, 1699-1706 – DOI:10.1002/JRS.4094.

Fernando Pina, Maria João Melo, César A. T. Laia, A. Jorge Parola, João C. Lima, "Chemistry and Applications of Flavylium Compounds: a Handful of Colours”, Chem. Soc. Rev., 41 (2012) 869 – 908

R. Rondão, J. Seixas de Melo, Maria João Melo, A. Jorge Parola, "Excited State Isomerization of Leuco Indigo", J. Phys. Chem. A., 116 (2012) 2826-2832.

 

PUBLICAÇÕES EM REVISTAS NACIONAIS OU INTERNACIONAIS - com arbitragem por pares

 

Publicações 2017

Casanova, C, “Mudança de paradigma na conservação e restauro após a catástrofe: o caso de estudo dos documentos gráficos”, Conservar Património  25 (2017) 15-22, http://dx.doi.org/10.14568/cp2016034.

Le Gac A. and Melo H. P. de, Duas lunetas de André Gonçalves para a Basílica de Mafra. História, técnica e conservação, Monumentos 35 (2017), 30-33 / Direcção Geral do Património Cultural.

Susana França de Sá, Joana Lia Ferreira*, Isabel Pombo Cardoso, Rita Macedo, Ana Maria Ramos. Shedding new light on PUR deterioration. Polymer Degradation and Stability 2017;144:354-365

Vega, D., Pombo Cardoso, I., Carlyle, L., 2017 Pintura sobre cobre: investigação sobre os materiais e técnicas utilizadas na camada de preparação segundo a tratadística e estudo analítico de duas obras atribuídas às escolas portuguesa e flamenga, Conservar Património, in press, DOI: 10.14568/cp2016040

 

Publicações 2016

Casanova, M. C; Costa, E.;  Moura, L., “Conservar depois da catástrofe: o caso de estudo dos documentos queimados do Arquivo Histórico do Museu Bocage”, Conservar Património 23 (2016) 125-131,  https://doi.org/10.14568/cp2015035.

Coutinho, I.*, Medici, T., Alves, L. C., Fernandes, L., Gratuze, B., & Vilarigues, M. (2017). Glass finds from the Museu de Lisboa – Teatro Romano (Lisbon): historical and chemical approach of an archaeological set from the Modern Period. Revista Portuguesa de Arqueologia, 20, 157–166.

Macedo, R., Pires, I. M. A. & Nogueira, A. M. (2016), “Qual o futuro do património musical contemporâneo nacional? Estado do pensamento e da investigação”, In : Revista Portuguesa de Musicologia. 3, 2, p. 193-214

Melo H. P. de, Le Gac A. and Cordeiro M. G., Duas pinturas assinadas por André Gonçalves (1685-1762): uma nova oportunidade para olhar a sua obra, Artis 4 (2016), 136-138 - ISSN: 2182-8571 - Depósito legal: 187650/02 - Outubro 2016 - Revista de História da Arte e Ciências do Património, publicada com arbitragem científica, periodicidade anual - Universidade de Lisboa. URL: http://www.artis.fl.ul.pt/publicacao_a2,10,122,945,detalhe.aspx

Villamariz, Catarina, 2016, “A Arquitectura Religiosa Fortificada no Século XIV: Heranças e Experimentalismos”, in O Fascínio do Fim. Estudos de Homenagem a José Custódio Vieira da Silva, L. U. Afonso; J. Ramôa Melo (eds.), IHA-FCSH-UNL, pp. 1-16, ISBN: 978-989-20-7270-8

 

Publicações 2015

Le Gac A., Melo H. P. de and Cordeiro M. G., Uma pintura desconhecida de Francisco Pinto Pereira (act. 1720-1752) descoberta no Palácio Nacional de Mafra, Artis 3 (2015),142-143 - ISSN: 2182-8571 - Depósito legal: 187650/02 - Outubro 2015 - Revista de História da Arte e Ciências do Património, publicada com arbitragem científica, periodicidade anual - Universidade de Lisboa. URL: http://www.artis.fl.ul.pt/publicacao_a2,10,122,781,detalhe.aspx

Le Gac A., Oliveira P. and Dias Costa M.J., O grande órgão de Tibães e o seu contexto de produção, ARTis ON 1 (2015), 17-41. –  Journal of the ARTIS - Instituto de História da Arte, Faculdade de Letras, Universidade de Lisboa, Portugal, ISSN: 2183-7082. URL: http://artison.letras.ulisboa.pt/index.php/ao/article/view/13

Lemos, A.; Araújo, R.; Casanova, C., Melo, M. J.; Muralha, V., “O cofre nº 24: um livro de horas do Palácio Nacional de Mafra. Um caso de estudo e de intervenção”, INVENIRE - Fiat Lux: Estudos sobre manuscritos iluminados em Portugal , Nº Especial (2015) 83-92. 

Macedo, R., Sá, S. & Dinis, M. F. M. (2015) “Da teoria à prática - problemáticas em torno da preservação: da instalação Oh la la,… Oh la balançoire/Microcosmos Tentacular (2003-04) de Susanne Themlitz”, In : Museologia e Patrimônio. 8, 1, p. 30-52

S. Nascimento, J. MM Linhares, C. AR Joao, K. Amano, C. Montagner, M.J. Melo, M. Vilarigues, M.H de Freitas, C. Alfaro, and A. Bailão "The preferred chromatic composition of unfamiliar paintings is similar to original.",. In PERCEPTION, vol. 44, pp. 134-134. 1,SAGE Publications ltd, (2015).

M. Vilarigues*, A. Machado, "Pintar com luz: o esmalte azul na pintura de vitral"Química – Boletim da Sociedade Portuguesa de Química, 137 (2015).

 

Publicações 2014

Coelho, A. G.;  Pinto, I.; Casanova, C, “The New Archeologic Collection of IICT in the new millennium - A coleção arqueológica do IICT no novo milénio”,  Antrope 1 (Dez. 2014) 6-23. 

Dias M.I., Prudêncio M.I., Burbidge C., Marques R., Remonatto C., Carnalho M.L. and Le Gac A. (2015), Estudo químico e mineralógico, e datação por luminiscência, de altos-relevos miniaturais em terracota, Conservar Património, 2014, 20, 53-63 – DOI:10.14568/cp2014009 – ISSN: 2182-9942. http://revista.arp.org.pt/pdf/2014009.pdf

Le Gac A., Pessanha S. and Carvalho M.L. (2015), Application of Energy Dispersive X-Ray Fluorescence Spectrometry to polychrome terracotta sculptures from the Alcobaça Monastery / Aplicação da Fluorescência de raios X dispersiva em energia a esculturas em terracota policromada do Mosteiro de Alcobaça, Conservar Património, 2014, 20, 35-51  – DOI:10.14568/cp2014008 – ISSN: 2182-9942. http://revista.arp.org.pt/pdf/2014008.pdf

 

Publicações 2013

Casanova, C.; “Luciano Freire: between tradition and novelty”,  CeROArt [em linha] Conservation Cultures and Connections (2013) , http://ceroart.revues.org/3606 (consultado a 30 Outubro de 2013)

Casanova, C., “A figura emblemática de Luciano Freire e o seu papel na história da conservação em Portugal”. Estudos de Conservação e Restauro - ECR, 5 (2013) 58-67,  http://artes.ucp.pt/citar/ecr/ecr_05/ecr_05.pdf (consultado a 22 de Julho 2014)

Casanova, C.; Matos, S.,  “O programa de Promoção do saber Tropical no IICT: olhar para o passado com perspectivas de futuro”, Conservar Património  18 (Dez. 2013.) 7-20, http://revista.arp.org.pt/pdf/2013005.pdf 

Marçal, H., Nogueira, A, Macedo, R., (2013) “Whose decision is it? Reflections about a decision making model based on qualitative methodologies”,  In : CeROArt : Conservation, Exposition, Restauration d'Objets d'Art. Conservation: Cultures and Connections, p. 1-8 

C. Montagner, D. Sanches, J. Pedroso, Maria João Melo, M. Vilarigues*, "Ochres and Earths: Matrix and Chromophores Characterization of 19th and 20th Century Artist Materials", Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 103, 409-416 (2013).  http://dx.doi.org/10.1016/j.saa.2012.10.064

 

Publicações 2012

Le Gac A., Frade J.C., Cardoso A.M., Barros P., Murta E. and Candeias A. (2012), Elementos para uma arqueologia de misturas de cera-resina usadas como adesivos em Talha e Escultura policromada, Estudos Arqueológicos de Oeiras, 19 (2012), 233-240.

D. Nunes, M. Vilarigues, J.B. Correia, P.A. Carvalho, "Nickel-carbon nanocomposites: Synthesis, structural changes and strengthening mechanisms", Acta Materialia 60, 737–747 (2012). http://dx.doi.org/10.1016/j.actamat.2011.10.012

Simas, M.; Fragoso, S; Macedo, R.; Ferreira, J, (2012) “Arte Pública – Conservação de uma pintura mural contemporânea em cimento” In : Anuário do Património. Canto Redondo, Vol 1, 1, p. 112-117

 

PUBLICAÇÕES EM ACTAS DE CONGRESSOS NACIONAIS OU INTERNACIONAIS - com arbitragem por pares

 

Publicações 2017

S. Babo, E.M. Angelin, J.L. Ferreira, M.J. Melo. “A taste of pearl: (re)discovering a modern lead white in PMMA sculptures", Preprints from the ICOM-CC 18th Triennial, Copenhagen, 4–8 September 2017, ed. J. Bridgland. Copenhagen: International Council of Museums (ICOM), 2017. Poster 1612. ISBN 978-92-9012-426-9

Coutinho, I.*, & Vilarigues, M. (2017). The use of glass in medieval pigment making. In I. Coutinho, T. Palomar, S. Coentro, A. Machado, & M. Vilarigues (Eds.), Proceedings of the 5th GLASSAC International Conference (pp. 19–21). Caparica: NOVA FCT Editorial. ISBN: 978-989-99528-3-6.

Coutinho, I.*, Medici, T., Alves, L. C., & Vilarigues, M. (2017). Potassium-rich glass in Lisbon in the 18th century. In I. Coutinho, T. Palomar, S. Coentro, A. Machado, & M. Vilarigues (Eds.), Proceedings of the 5th GLASSAC International Conference (pp. 129–131). Caparica: NOVA FCT Editorial. ISBN: 978-989-99528-3-6

Le Gac A., Lopes R., Arinto M. (2017), Two artworks by Maximiano Alves for the combatants of the Great War, Lisbon: their comparison and significance, in Marluci Menezes, Dória Rodrigues Costa & José Delgado Rodrigues (Eds.), Intangibility Matters, Proceedings of the IPERION CH international conference on the values of tangible heritage IMaTTe 2017, Laboratório Nacional de Engenharia Civil, 29-30 Maio 2017, Lisboa: LNEC, 2017, 107-119 – ISBN: 978-972-49-2295-9.

Oliveira, M. L., Carlyle, L., Fragoso, S., Pombo Cardoso,I., 2017 Investigations into paint delamination and consolidation of an oil painting on copper In: L. Fuster López, I. Chuliá Blanco, M. F. Sarrió Martín, M. L. Vázquez de Ágredos Pascual, L. Carlyle & J. Wadum, eds. Paintings on copper and other metal plates: production, degradation and conservation issues, Valencia: ComunicaCC, pp. 169-180.

Vega, D., Pombo Cardoso, I., Carlyle, L. J., 2017  Investigation and Testing to Develop an Infill Formula Suitable for Oil Paintings on Copper In: L. Fuster López, I. Chuliá Blanco, M. F. Sarrió Martín, M. L. Vázquez de Ágredos Pascual, L. Carlyle & J. Wadum, eds. Paintings on copper and other metal plates: production, degradation and conservation issues, Valencia: ComunicaCC, pp. 187-204.

Villamariz, Catarina, 2017, “The impact of Franciscan Architecture in the Mediterranean context: singularities of the Portuguese case”, Selected Proceedings from the First International Conference on Franciscan Studies: “The World of St. Francis” (July 16-20, 2015), Bradley R. Franco and Beth A. Mulvaney, eds., Siena, Betti Editrice , pp. 125-132, ISBN: 978-88-7576-506-4

Villamariz, Catarina, "Femina et Templo: o Papel das Mulheres no Desenvolvimento da Arquitectura Religiosa dos Séculos XIII e XIV em Portugal", en Silvia Cernadas Martínez y Miguel García-Fernández (coords.), Reinas e Infantas en los Reinos Medievales Ibéricos. Contribuciones para su estudio, Servizo de Publicacións da Universidade de Santiago de Compostela, Santiago de Compostela, colección "Cursos e Congresos", pp. 203-220, 2017, ISBN: 978-84-16533-89-3.

T. Vitorino, V. Otero, L. Carlyle, M.J. Melo, A.J. Parola and M. Picollo, "Nineteenth-century cochineal lake pigments from Winsor & Newton: Insight into their methodology through reconstructions", Preprints from the ICOM-CC 18th Triennial, Copenhagen, 4–8 September 2017, ed. J. Bridgland. Copenhagen: International Council of Museums (ICOM), 2017. Paper 0107.ISBN 978-92-9012-426-9

 

Publicações 2016

A. Ablum, A. M. Ramos, S. F. de Sá, A. Lima, M. Vilarigues. “Chemical and Mechanical Stability of two UV Curing Adhesives for the Conservation of Glass – preliminary results”, Recent Advances in Glass, Stained Glass and Ceramics Conservation, ICOM-CC Working Group Glass and Ceramics Interim Meeting (2016). ISBN: 978-83-64419-80-5.

A. Rodrigues, M. Almeida, M. Vilarigues.“The Extra Piece of the Puzzle: A Combined Stylistic and Analytical Study for the Reconstruction of Two Fragmented Glass Goblets from the Collection of Ferdinand II of Portugal”,  Recent Advances in Glass, Stained Glass and Ceramics Conservation, ICOM-CC Working Group Glass and Ceramics Interim Meeting (2016). ISBN: 978-83-64419-80-5.

F. Berger, A. Machado, A. Rodrigues, M. Vilarigues.“19th century stained-glass assemblage at the Great Hall of Pena National Palace”,  XXVIIIe colloque international du CVMA - Stained glass in the residence, from its origins to the present day: How to glaze and decorate the window (2016)

Casanova, C.; Coelho, A. G.; Pinto, I., “Georeferencing four decades of an archaeological collection of Angola: a project for the future. Georeferenciando quatro décadas de uma coleção arqueológica de Angola: um projeto para o futuro”, Antrope 5 (Dez. 2016) 70-84, http://www.cda.ipt.pt/?pagina=vinculo_cta&seccao=Antrope&media=revistas&...

Casanova, C.; Moura, L.; Canas, A., “Conservação versus Acesso: Mapeamento de colecções”, in Atas do Encontro Arquivos da Administração Pública, coord. M. F. Rollo, M. Ribeiro, P. Meireles e P. Penteado, Instituto de História Contemporânea, FCSH-UNL , Lisboa (2016 ) 54-69.

R. Castro, A. Miranda and M.J. Melo, "Interpreting lac dye in medieval written sources: new knowledge from the reconstruction of recipes relating to illuminations in Portuguese manuscripts", in Sources in Art Technology: Back to Basics, Sigrid Eyb-Green, Joyce Townsend, Kathrin Pilz, Stefanos Kroustallis and Idelette van Leeuwen (Eds.), London: Archetype Publications, 2016, pp. 88-99.

R. Correia, E. Armindo, E. Neves, M. Vilarigues, M. F. Macedo, C"Diagnóstico de duas peças têxteis do Museu Diocesano de Santarém: uma abordagem multi-analítica", onservar Património nº 23 pp. 63-70, Proceedings from the III Encontro Luso-Brasileiro de Conservação e Restauro (2016) DOI: 10.14568/cp2015023

Fanico J., Le Gac A., Miguel C. and Candeias, A. (2016), Os «fingidos» no grande órgão de Tibães, entre ilusão e matéria, in Marluci Menezes, José Delgado Rodrigues & Dória Costa (Eds.), Património, as suas matérias e imatérias, Preprints of the Congresso Ibero-Americano PATRIMA 2016, LNEC, CRIA, ISCTE-IUL / CEI-IUL,, 2-3 Novembro 2016, Lisboa: LNEC, 2016 – DVD: Paper Nº 47-005, [p. 1-20] – ISBN: 978-972-49-2288-1.

Le Gac A., Madeira T.I. Remonatto C., Nogueira I., Franco A. and Carvalho M.L. (2016), About two sets of Portuguese miniature high-reliefs, in Kate Seymour and Ana Bidarra (Eds.), Polychrome Sculpture: Decorative Practice and Artistic Tradition, Proceedings of the ICOM-CC 3rd International Symposium of the Sculpture, Polychromy and Architectural Decorations-SPAD Working group, Portugal / Tomar, 28-29 May 2013, ICOM-CC edition, 2016, p. 34-43

Le Gac A. (2016), O 'Auto da Paixão' de Vilar de Perdizes, um património imaterial conservado em outros actos de transmissão, in Marluci Menezes, José Delgado Rodrigues & Dória Costa (Eds.), Património, as suas matérias e imatérias, Preprints of the Congresso Ibero-Americano PATRIMA 2016, LNEC, CRIA, ISCTE-IUL / CEI-IUL,  , 2-3 Novembro 2016, Lisboa: LNEC, 2016 – DVD: Paper Nº 199-198, [p. 1-20] – ISBN: 978-972-49-2288-1.

Le Gac A., Oliveira P., Dias Costa M.J. and Dias Costa I. (2016), Retábulos e imagens dos mosteiros beneditinos de Tibães e do Rio de Janeiro em confronto: identidades, transferências e assimilações, in Ana Celeste Glória (Ed.) O Retábulo no Espaço Iberoamericano: Forma, função e iconografia, Proceedings of the I SÍMPOSIO DE HISTÓRIA DA ARTE, IHA-FCSH / Universidade Nova de Lisboa, 26-27 Novembro 2015, Lisboa: FCSH-UNL, 2016, Vol. I, p. 65-78 – ISBN: 978-989-99192-6-6 - Open Access publication / Appears in Collection: FCSH: IHA - E-books; URL: http://hdl.handle.net/10362/16423

Maria Adelaide Miranda e Maria João Melo, "O Esplendor da Cor nos Manuscritos Românicos Alcobacenses", Actas do "XI Encontro Cultural de S. Cristóvão de Lafões. De Cister a Portugal: o tempo e o(s) modo(s)", Associação dos Amigos do Mosteiro de S. Cristóvão de Lafões, 2016, pp. 129-147. ISBN 978 989 97817 5 7.

V. Otero, M. Vilarigues, L. Carlyle, MJ Melo.“Winsor & Newton’s nineteenth century manufacture of yellow chromate-based pigments”,  In: Sigrid Eyb-Green, Joyce Townsend, Kathrin Pilz, Stefanos Kroustallis & Idelette van Leeuwen eds. Sources in Art Technology: Back to Basics, London: Archetype Publications, Proceeding from the 6th symposium of the ICOM-CC Working Group Art Technological Source Research, pp. 149-150 (2016)

Silva N., Le Gac A., Costa S., Miguel C., Mirão J. and Candeias A. (2016), (Re)conhecer Francisco Pinto Pereira através do seu legado artístico. Vantagens e limites das técnicas de imagem, in Marluci Menezes, José Delgado Rodrigues & Dória Costa (Eds.), Património, as suas matérias e imatérias, Preprints of the Congresso Ibero-Americano PATRIMA 2016, LNEC, CRIA, ISCTE-IUL / CEI-IUL, 2-3 Novembro 2016, Lisboa: LNEC, 2016 – DVD: Paper Nº 85-082, [p. 1-20] – ISBN: 978-972-49-2288-1.

Villamariz, Catarina, 2016, "Os Claustros Catedralícios de Lisboa e Évora: Experimentalismos Arquitectónicos", Rossi Vairo, Giulia, Ramôa Melo, Joana (coord.), Claustros no Mundo Mediterrânico (séculos X-XVIII), Coimbra, Almedina, pp. 71-86, ISBN:978-972-40-5903-7

 

Publicações 2015

Costa M., Moura; L., Rogério, A.; Gonçalves; C., Moriés; B., Casanova, C.*, “Criação de Reservas Técnicas para as colecções científicas do IICT- a work in progress”, Actas das IX Jornadas de Arte e Ciência da UCP e V Jornadas da ARP.CITAR, Porto (2015), 195-208. 

Moura, L.; Gonçalves, C.; Sequeira, S.; Costa, M.; Casanova, C.*, “Controlo Integrado de pragas no Arquivo Histórico Ultramarino do Instituto de Investigação Científica e Tropical”, Actas das IX Jornadas de Arte e Ciência da UCP e V Jornadas da ARP, CITAR, Porto (2015) 263-274.

S. Nascimento, J. Linhares, C. João, K. Amano, C. Montagner, MJ Melo, M. Vilarigues, "Estimating the Colors of Paintings", 5th International Computational Color Imaging Workshop (CCIW) , March 24-26 2015, Saint Etienne, France: Computational Color Imaging Lecture Notes in Computer Science, A. Tremeau, R. Schettini, S. Tominaga (eds), vol. 9016 (2015) pp 236-242, Springer International Publishing, ISBN 978-3-319-15978-2

Andreia Nogueira, Filipa Magalhães, Rita Macedo, Isabel Pires (2015) "A preservação da performance musical contemporânea: o caso do espólio fonográfico em fitas magnéticas de Clotilde Rosa". In: Alice Semedo, Sandra Senra e Teresa Azevedo (eds.) Processos de Musealização. Um Seminário de Investigação Internacional. Atas do Seminário (Porto: Universidade do Porto), pp. 252 – 268

Romão, L.; Casanova, C.; Macedo, F., “A Colecção sequeira- Do armazém à reserva”,  in Actas das IX Jornadas de Arte e Ciência da UCP e V Jornadas da ARP, CITAR, Porto (2015) 187-194.

 

Publicações 2014

Casanova, C. “O papel de Camillo Boito na distinção conceptual entre conservação e restauro: Ecos da problemática no Portugal de oitocentos”, in Actas do Congresso De Viollet-le-Duc à la Carta de Venecia. Teoría y Práctica de la Restauración en el espacio Iberoamericano, coord. José Delgado Martins, ARTIS / LNEC, Lisboa (2014) 23-30.

Le Gac A., Manso M., Longelin S., BletonJ., Piorro L., Madeira T.I., Candeias A. and Carvalho M.L. (2014), Materials and construction techniques used in two wax-cast figurines, in Kate Seymour, Stéphanie de Roemer and Clare Herad (Eds.), Polychrome Sculpture: Artistic tradition and construction techniques, Proceedings of the 2nd International Symposium of the ICOM-CC Sculpture, Polychromy and Architectural Decorations-SPAD Working group, Scotland / Glasgow, 13-14 April 2012, ICOM-CC edition, 2014, p. 61-68 

Le Gac A. (2014), Wooden sculptures by the lay brother Cipriano da Cruz (1645/1650-1716): a study of the carving tool marks to determine authorship in Kate Seymour (Ed.), Polychrome Sculpture: Tool marks and Construction Techniques, Proceedings of the 1st International Symposium of the ICOM-CC Sculpture, Polychromy and Architectural Decorations-SPAD Working group, Stichting Restauratie Atelier Limburg / Bonnefantummuseum, Maastricht / Holanda, 24-25 October 2010, ICOM-CC edition, 2014, p. 49-59 

Le Gac A., Oliveira P., Dias CostaI. and Dias Costa M.J. (2014), Materials for painting and gilding used in the Benedictine Community of Portugal from 1638 to 1822. Other times, other ways, in H. Dubois, J.H. Townsend, J. Nadolny, S. Eyb-Green and S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation, Proceedings of the ICOM-CC 5th International Symposium of the Art Technological Source Research-ATSR Working group, Belgium / Brussels, 22-23 November 2012, London: Archetype Publications Ldt, 2014, p. 54-74.

Marçal, H., Macedo, R., Duarte, A. M. (2014) “The inevitable subjective nature of conservation: psychological insights on the process of decision-making”, in ICOM-CC 17th Triennial Meeting Preprints, Melbourne 15-19 September, edited by Janet Bridgland, 8. Paris: International Council of Museums. 

D. Sanches, Â. Ferraz, T. Vitorino, L. Carlyle, M. Vilarigues, R. Macedo, M. J. Melo.“A técnica e a cor do romantismo pelas mãos de Tomás de Anunciação”,  Actas do IV Congresso de História da Arte Portuguesa em Homenagem a José-Augusto França, pp 200-207, APHA, ISBN 978-989-20-4815-4 (2014)

A. M. Silva, C. Montagner, M. Vilarigues, R. Macedo, M. J. Melo, M. Picollo, A. Miranda, J. Lopes, “Um códice modernista: Amadeo e La Légende de Saint Julien l’Hospitalier”. Actas do IV Congresso de História da Arte Portuguesa em Homenagem a José-Augusto França, pp 208-2016, APHA, ISBN 978-989-20-4815-4 (2014)

T. Vitorino, A. Casini, C. Cucci, et al, "Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes", 6th International Conference on Image and Signal Processing (ICISP), Cherbourg 30 JUN-2 JUL, 2014, France: Elmoataz, A; Lezoray, O; Nouboud, F; et al (eds.). Lecture Notes in Computer Science, vol 8509 (2014) 257-264.

 

Publicações 2013

P. Almeida, C. Montagner, R. Jesus, N. Correia, M. Vilarigues, M.J. Melo and S. Nascimento,“Analysis Of Paintings Using Multi-Sensor Data”,  21th European Signal Processing Conference (Eusipco), Marrocco, (2013). 

Cardoso, I.P., 2013 As camadas preparatórias em retábulos e esculturas douradas e policromadas portuguesas,  Actas do Colóquio Internacional sobre As Preparações na Pintura Portuguesa dos Séculos XV e XVI, Museu Nacional de Arte Antiga, Lisboa.

Le Gac A., Nogueira I., Oliveira M.J. and Seruya A.I. (2013), As camadas preparatórias na policromia tardo-gótica do retábulo mor da Sé Velha de Coimbra, por Jean d’Ypres, Proceedings of the International Coloquium: As Preparações na Pintura Portuguesa dos Séculos XV e XVI, Museu Nacional de Arte Antiga, Lisbon, 28-29 June 2013, Vítor Serrão & Vanessa Antunes (Eds), Lisboa: IHA-UL, p. 13-24 – ISBN: 978-989-96236-1-3. 

C. Montagner, P. Almeida, R. Jesus, N. Correia, M. J. Melo, M. Vilarigues, R. Macedo, H. de Freitas and S. Nascimento,“Behind the surface - Hyperspectral image spectroscopy for artist authentication”,  Precceding 12th International AIC Congress, UK, Volume 2, 359-362 (2013).

Remonatto C., Franco A. and Le Gac A. (2013), Miniaturas à luz das ciências / High-relief miniatures under the light of Science, Preprints of the International Symposium VOX MUSEI, Faculdade de Belas-Artes da Universidade de Lisboa, 20-22 June 2013, Revista Vox Musei Arte e Património, 2013, 1, 128-141 – ISSN: 2182-9489. 

A. Rodrigues, B. Martinho, F. Macedo, M. Vilarigues,“The Stained glass collection of King Ferdinand II of Portugal – Concept, Conservation, and Chemical Analysis of Two Panel”,  Recent Advances in Glass, Stained Glass and Ceramics Conservation, ICOM-CC Working Group Glass and Ceramics Interim Meeting and Forum of the International Scientific Committee for the Conservation of Stained Glass (Corpus Vitrearum-ICOMOS), Amsterdam, The Netherlands, 7-10 October (2013). ISBN: 9789089321138.

Susana França de Sá, Ana Maria Ramos, Rita Macedo, Joana Lia Ferreira, João Paulo Borges, Hugo Lisboa. The behavior of flexible polyurethane foam in a contemporary Sculpture: Viúva Negra of João Vieira, 1981. In: Bechthold T, editor. Technology and Conservation of Modern Materials in Design. Future Talks 011. Munique: Die Neue Sammlung – The International Design Museum; 2013 p. 232-239.

Susana França de Sá, Ana Maria Ramos, Rita Macedo, Joana Lia Ferreira. Conservación de una escultura en poliuretano: reconstrucción del proceso creativo. Conservación de Arte Contemporáneo 13ª Jornada. Madri: Museo Nacional Centro de Arte Reina Sofia; 2013 p. 87-101. 

 

Publicações 2012

Joana Lia Ferreira, Maria João Melo, Ana Maria Ramos. Sabu colours: Vinyl artists' paints from the sixties. In: Eyb-Green S, Townsend JH, Clarke M, Nadolny J, Kroustallis, S, editors. The artist’s Process, Technology and Interpretation: Proceedings do 4ª Simpósio do Art Technological Sources Research Working Group do ICOM-CC. Londres: Archetype Publications; 2012 p. 2017

Le Gac A., Seruya A.I., Bleton J., Voduy S. and Frade J.C. (2012), Raised decorations applied to baroque polychrome sculpture in Coimbra, Portugal: a production of painter-gilders or sculptors?, in Technology and Interpretation Reflecting the artist’s Process, Proceedings of the 4th International Symposium of the ICOM-CC Art Technological Source Research-ATSR Working group, Áustria / Vienna, 23-24 September 2010, London: Archetype Publications, 2012, p. 90-111.

Le Gac A. (2012), Preliminary research on glues made of tawed leather, parchment and rabbit-skin, In: Parchment and Leather Heritage. Conservation-Restoration, Proceedings of the International Conference organized at the Nicolaus Copernicus University in Toruń (Poland), 21-24 October 2010, Elzbieta Jablońska and Tomasz Kozielec (eds.), Toruń: Wydawnictwo Naukowe Uniwersytetu Mikolaja Kopernika Publ., 2012, p. 31-60 – ISBN: 978-83-231-2954-7.

Le Gac A., Seruya A.I., Oliveira M.J. and Ribeiro I. (2012), White grounds applied to the main altarpiece of the Coimbra Old Cathedral: historical technology and material characterisation, in Historical Technology, Materials and Conservation. SEM and Microanalysis, Proceedings of the International Conference held at the British Museum (UK), 9-10 September 2010, Nigel Meeks, Caroline Cartwright, Andrew Meek, Aude Mongiatti (eds), London: Archetype Publications Ldt. / British Museum, 2012, p. 163-165 – ISBN: 978-1-904982-65-4. 

Marçal, H., Macedo, R., Nogueira, A. & Duarte, A. (2012) “The poetics of discourse: from artistic intention to spectator’s perception in the artist’s point of view”, in Interdisciplinary.net - Critical Issues (Postprints of the 3rd Global Conference of Performance)

B. Martinho, M. Vilarigues, “The Glass collection of King Ferdinand II of Portugal – Assembling the puzzle", Proceedings of 19th Edition of Meeting of the Association Internationale pour l'Histoire du Verre (AIHV-19), Piran, Eslovénia (2012).

Cristina Montagner, Rui Jesus, Nuno Correia, Maria J. Melo, M. Vilarigues, Rita Macedo and Helena de Freitas. “Unveiling the hand of a 19th Century Artist with Binary Image Classification and Bag-of-Features”, Proceeding of the International Conference on Systems, Signals and Image Processing (2012).

França de Sá, S., Ramos, A. M., Macedo, R., & Ferreira, J. L. (2012) ´Conservación de una escultura en poliuretano: reconstrucción del proceso creativo’. In: J. Gómez-Tejedor (ed.), 13ª Jornada de Conservación de Arte Contemporáneo, Madrid: Museo Centro de Arte Contemporáneo Reina Sofia, pp. 87-101.

Vilarigues, M. G., Correia, N. M. R., Melo, M. J. & Macedo, (2012),  “R. Unveiling the hand of a 19th century artist with binary image classification and bag-of-features”,  International Conference on Systems, Signals and Image Processing (IWSSIP). p. 201-204. 

 

COORDENAÇÃO DE LIVROS

 

Publicações 2015

Macedo, Rita; Matos, Lúcia; Heydenreich, G. (eds)  (2015) Performing Documentation in the Conservation of Contemporary Art, In: Revista de História da Arte, Lisboa, IHA, FCSH-UNL.  http://revistaharte.fcsh.unl.pt/rhaw4/RHAw4.pdf 

 

CAPÍTULOS DE LIVROS

 

Publicações 2016

Araújo, R.; Casanova, C.*; Lemos, A., “Estudo das encadernações de dois livros de horas da BNP: O IL 15 e o IL 19.”, in Luz, cor e ouro. Estudos sobre manuscritos iluminados, C. F.  Barreira, (ed.), 2016, Biblioteca Nacional de Portugal, 201-214, ISBN 978-972-565-600-6 (e-book)

R. Castro, M. J. Melo, A. Miranda, “O De Avibus de Alcobaça – uma cópia de Clairvaux?”, in "Luz, cor e ouro: manuscritos iluminados da BNP", C. F. Barreira (ed.), 2016,  Lisbon: Biblioteca Nacional de Portugal,  ISBN 978-972-565-600-6 (e-book)

Coutinho, I., Pires de Matos, A. (Reviewer) (2016). Chapter 1 - Making and tempering mosaic gold. In M. J. Melo & R. Castro (Eds.), The “Book on how to make colours” - O Livro de como se fazem as cores das tintas todas (medieval colours for practitioners). Disponivel online em http://www.dcr.fct.unl.pt/LivComoFazemCores

Cruz António João; Coroado, João Freitas; Le Gac,  Agnès, Carvalho, Maria Luísa (2016), Estudo Técnico, in João Freitas Coroado e Marco Daniel Duarte (Coords.), Estudo científico da escultura de Nossa Senhora do Rosário de Fátima, Fátima: Santuário de Fátima, 2016, p. 89-119. – ISBN: 978-989-841-810-4.

Maria João Melo, Joana Lia Ferreira, António Jorge Parola, João Seixas de Melo. Photochemistry for Cultural Heritage. In Serena Silvi, Giacomo Bergamini (eds) Applied Photochemistry: When Light Meets Molecules, Lecture Notes in Chemistry vol 92. Berlim: Springer, 2016. pp. 499-530.

M. A. Miranda e M. J. Melo, "O manuscrito iluminado medieval. Materialidade, arte e cultura", in Luz, cor e ouro. Estudos sobre manuscritos iluminados, C. F.  Barreira, (ed.), 2016, Biblioteca Nacional de Portugal, ISBN 978-972-565-600-6 (e-book)

Nogueira, A;  Pires, I; Marçal, H. & Macedo, (2016) Connecting practices of preservation: exploring authenticities in collaborative performance-based artworks.  Authenticity in Transition: Changing Practices in Contemporary Art Making and Conservation. Hermens, E. & Robertson, F. (eds.). Archetype, p. 117-127 

 

Publicações 2015

Ferraz, A; Macedo; R. Carlyle, (2015), The use of Documentary sources for identifying supplieres of painting materials in the 19th century, Sources on Art Technology: Back to Basics. Archetype.

Melo, M. J., Araújo, R., Casanova, C., Muralha, V., Lemos, A., “Segredos descobertos nos Livros de Horas: história, materiais e técnicas”, in Livros de Horas. O imaginário da devoção privada, ed., Delmira Custódio e Adelaide Miranda, BNP/Babel, Lisboa (2015) 193- 226.

S. Nascimento, J. Linhares, C. João, K. Amano, C. Montagner, MJ Melo, M. Vilarigues, "Estimating the Colors of Paintings", in Computational Color Imaging Lecture Notes in Computer Science Volume 9016, pp 236-242, 2015, Springer International Publishing, ISBN 978-3-319-15978-2 (2015). http://dx.doi.org/10.1007/978-3-319-15979-9_22

Maria Santana Simas, Francisca Lourenço, Joana Lia Ferreira*, Sara Leite Fragoso, Rita Macedo. Evocação a Fernão Mendes Pinto, a collective mural painting on cement. In Mercedes Sánchez Pons, Will Shank, Laura Fuster López (eds) Conservation Issues in Modern and Contemporary Murals. Newcastle: Cambridge Scholars Publishing, 2015. pp. 449-471.

M. Vilarigues, P. Redol, Joana Delgado, “Os Vitrais”,  in A Charola do Convento de Cristo – História e Restauro” (2015), ISBN: 9789898052803

 

Publicações 2014

Casanova, C., “Questões éticas e técnicas relativas à conservação de colecções e objectos etnográficos”, in África Reencontrada: O ritual e o Sagrado em duas colecções públicas Portuguesas, ed. Ana Martins, Instituto de Investigação Científica Tropical & Museu Nacional de Arqueologia, Lisboa (2014) 24-25.

R. Castro, M. J. Melo, A. Miranda, "The Secrets Behind the Colour of The Book of Birds", in Portuguese Studies on Medieval Illuminated Manuscripts, A. Miranda and A. Miguélez (Eds), Brepols, 2014, pp. 31-55.

Le Gac, Agnès; Silva, Joana; Fragoso, Sara; Pessanha, Sofia; Manso, Marta; Longelin, Stéphane; Esteves, Lília, Oliveira; Maria José, Pereira; Luis, Guerra Mauro; Carvalho, Maria Luísa (2014), O contributo das Ciências para o estudo material e tecnológico do Foral de Cascais, in João Miguel Henriques (coord.), 500 anos do Foral Manuelino de Cascais 1514-2014, Cascais: Câmara Municipal & Arquivo Histórico da Câmara Municipal de Cascais, 2014, p. 152-185 – ISBN: 978-972-637-267-7.

Le Gec Agnès e Maniés Alexandre (2014), A policromia das esculturas em madeira do Convento de Cristo, in A Charola do Convento de Cristo: História e Restauro, Lisboa: Edição Direção-Geral do Património Cultural, 2014, Cap. V, p. 294-300 – ISBN: 978-989-8052-80-3.

Lemos, A., Araújo, R., Casanova, C., Melo, M.J., Muralha, V., “Regards croisés des historiens de l’art edes chimistes sur deux livres d’Heures de la Bibliothèque nationale du Portugal. Les mss IL 15 et IL19”, in Portuguese Studies on Medieval Illuminated Manuscripts. New Approaches and Methodologies, ed. Adelaide Miranda & Alicia Miguelez, Brepols, Barcelona/Madrid (2014) 145-168.  

Macedo, Rita Gestire la Complessità: il ruolo delle scienze umane e sociali nella conservazione dell'arte contemporânea.( 2014) Tra Memoria e Oblio. Percorsi nella conservazione dell'arte contemporânea. Martore, P. (ed.). Roma: Castelvechi, p. 45-56.

Macedo, Rita, O Todo e as Partes, as Partes e o Todo, (2014), Túlia Saldanha. Fabiana, R. & Coutinho, L. (eds.). Lisboa: Fundação Calouste Gulbenkian, p. 235-244

T. Medici, A. Lima, A.P. Matos, M. Vilarigues, "O papel dos materiais geológicos do estudo de proveniência de vidros", in Proveniência de materiais geológicos: abordagens sobre o Quaternário de Portugal, APEQ - Associação Portuguesa para o Estudo do Quaternário (2014), ISBN: 978-989-97140-2-1

M. J. Melo, R. Castro, A. Miranda, "Colour in Medieval Portuguese Manuscripts: between Beauty and Meaning", in Science and Art: the painting surface, A. Sgamellotti, B. G. Brunetti, C. Miliani (Eds), RSC 2014, pp. 170-192.

M. J. Melo, A. Miranda, "Secrets et découvertes en couleur dans les manuscrits enluminés", in Portuguese Studies on Medieval Illuminated Manuscripts, A. Miranda, A. Miguélez (Eds), Brepols 2014, pp. 1-29.

Sá, S; Ramos, A; Ferreira J; Macedo, R. (2014) How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion, Authunticity and Replication, The Real Thing in Art and Conservation. Gordon, R., Hermans, E. & Lennard, F. (eds.). London: Archetype, p. 193-21

Susana França de Sá, Ana Maria Ramos, Rita Macedo, Joana Lia Ferreira, Bárbara Coutinho. How to keep what was intended to be temporarily functional? Reflections on decision making for the conservation of polyurethane ready-to-wear fashion. In: Gordon R, Hermens E, Lennard F, editors. Authenticity and Replication: The 'Real Thing' in Art and Conservation. Londres: Archetype Publications; 2014 p. 179-183.

 

Publicações 2013

Le Gac Agnès, Longelin Stéphane, Guerra Mauro, Manso Marta, Pessanha Sofia, Seruya Ana Isabel and Carvalho Maria Luísa (2013), Despertar dos forais Manuelinos: a obra-prima vista à luz da ciência e tecnologia, in O foral novo. Registos que contam histórias, Fátima Ó Ramos (Coord.), Lisboa: Edição Direção Geral do Livro, dos Arquivos e das Bibliotecas / Fundação Casa de Bragança, 2013, p. 52-53 – ISBN: 978-972-9195-33-4.

M. J. Melo, M. Vilarigues, V. S. F. Muralha, R. Castro, "As cores do mundo no Atlas Fernão Vaz Dourado", in Atlas Universal de Fernão Vaz Dourado. 1571, M. Moleiro Editor, S.A., 2013, pp. 168-186 (also available in French, English and Spanish translations, ISBN respectively: 978-84-96400-87-0; 978-84-96400-85-6; 978-84-96400-83-2)

Maria João Melo, Rita Araújo, Vânia S. F. Muralha e Ana Lemos, "O que nos dizem os materiais da cor sobre os Livros de Horas do Palácio Nacional de Mafra?" in Catálogo d' "Os Livros de Horas iluminados do Palácio Nacional de Mafra", PNM e IEM, 2013.

 

Publicações 2012

Macedo, R; Sousa, M. (2012) M Challenges in the preservation of contemporary couture - consolidation and protection of textiles with sol-gel silica coatings, Textiles: Types, Uses and Production Methods. New York: Nova Science, p. 1-20

M. J. Melo and C. Miguel, "The making of vermlion in medieval Europe: historically accurate reconstructions from The book on how to make colours", in Fatto d'Archimia. Los pigmentos artificiales en las técnicas pictóricas, Stefanos Kroustallis and Marián del Egidos (Eds), Ministerio de Educación, Cultura y Deporte, 2012, pp181-195. ISBN: 9788481815061