Resumos Apresentações

L’historien face aux couleurs de l’enlumineur: possibilités et limites
Michel Pastoureau
Abstract (PDF) - Full Paper (PDF)

Evaluating Manuscript Yellows
Mark Clarke
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A La Recherche des pigments
Claude Coupry
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Los Beatos y el Cister en San Pedro de Cardeña
Joaquin Yarza Luaces
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Byzantine recipes and books illuminations
Doris Oltrogge
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The Livro de como se fazem as cores: contents and contexts
Luís Afonso
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PROJECT PRESENTAIONS

The colour of medieval Portuguese illuminations: materials and techniques

Maria J. Melo
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Manuscripts from the medieval Portuguese Monasteries
Selection of Criteria and an experimental database for the study of the initials and the palette of colours
Ana Lemos
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The colour of medieval Portuguese illuminations: Experimental design
Ana Claro
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The greens of medieval Portuguese illuminations
Catarina Miguel, Maria J. Melo, Mark Clarke and João A. Lopes
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The study of red lead degradation in Lorvão Apocalypse
António Gonçalves, Catarina Miguel, Solange Muralha and Maria J. Melo
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Chemometrics and the medieval scriptorium
João A. Lopes, Catarina Miguel and Maria J. Melo
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The colour in the Romanesque Portuguese illuminated manuscript
Adelaide Miranda
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ORAL PRESENTATIONS

Study of the relationship between the colour and the body in the medieval imagery: The Evangeliar of Otton III, at the end of 10th century
Marie Aschehoug-Clauteaux
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The Strasburg Family texts: originality and survival
A survey of illuminating techniques in medieval South Germany
Sylvie Neven
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Illuminations: secrets, alchemy and conservation in three case studies
M. Bicchieri, M. Monti, G. Piantanida, A. Sodo
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Value and Beauty: Towards a double aesthetic of colours in Romanesque book illumination
Anja Grebe
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Remarks on colours and pigments in the French court illumination of the 13t century
Xenia Muratova
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Les couleurs de l’enluminure: recettes de Michelino da Bosozzo et d’Antoine de Compiégne
Inès Villela-Petit
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A protocol for non-invasive analysis of miniature paintings
Maurizio Aceto, Angelo Agostino, Monica Gulmini, Eleonora Pellizzi, Valentina Bianco
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“That it Seemeth to be the Thing Itself” – The Obsession of 16th century Miniature Painters to Imitate the Beauty of Nature
Timea Tallian, Nicholas Frayling, Alan Derbyshire
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Analysis of the Anjou Bible
M. van Bos and L. Watteeuw
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Non-invasive XRF and UV-Vis-NIR Reflectance Spectroscopic analysis of materials used by Beato Angelico in the manuscript Graduale n. 558
M. Picollo, A. Aldrovandi, A. Migliori, S. Giacomelli and M. Scudieri
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Illuminare: the uses and embellishment of gold and other metallic leaf and inks in medieval and renaissance manuscript painting
Nancy Turner
Abstract (PDF) - Full Paper  (PDF)

Mediaeval Manuscript Illumination: 14th century Netherlandish painting techniques
Arie Wallert
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À propos d’une notice sur le vermillon dans la “Crónica Geral de Espanha”
Horácio Peixeiro
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The Word of Paint: Terminological Aspects of Medieval Colour Terms
Stefanos Kroustallis
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Use of visible and infrared reflectance and luminescence imaging spectroscopy to study medieval illuminated manuscripts
Paola Ricciardi, John K. Delaney, Lisha Glinsman, Mathieu Thoury, Michelle Facini and E. René de la Rie
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New trends
Marco Battaglia, Richard Celestre, Peter Denes, Dionísio Doering and Tae Sung Kim
Abstract (PDF) - Full Paper (PDF)

WORKSHOP

To paint in the medieval scriptorium
Ana Claro, Ana Lemos, Catarina Miguel and Maria João Melo
Abstract (PDF) - Full Paper (PDF)